Saturday, 7 January 2017

Golden Globe Predictions!

We're at that time of year again where award season is in full steam! The Golden Globes air tomorrow evening, Oscar nominations are out in a few weeks and all things awardsy will start to get clearer. So I've finally put together my final touches on my Golden Globe Winner predictions. Predictions for the Golden Globes are always a little tricky as they're the first non-critics circle to hand out awards and the first "mainstream" group, so it's always interesting to see if films that were loved by critics groups are loved here as well. As well, this is always where the race starts so presumed frontrunner may have upsets here and new frontrunners emerge (Eddie Redmayne anyone?). So it's exciting to see where this will take us, but also sometimes difficult to predict. I feel I've stayed pretty safe in my predictions, but we'll see come tomorrow!

Best Picture- Drama
Will Win: Moonlight
Could Win: Manchester By the Sea

I flip-flopped on this for a while but figured if the HFPA really loved Manchester, they'd have nominated Lucas Hedges as well. Moonlight has been the indie critics darling and I think it may just continue here. 

Best Actress- Drama
Will Win: Natalie Portman (Jackie)
Could Win: Amy Adams (Arrival)

I feel like Jackie hasn't been received overly well to non-American audiences so I'm not too solid on this prediction but she won the Critics Choice award so I don't see why I wouldn't predict her. However, t he HFPA loves Amy and she did win with NBR and Arrival has also been doing well at the box office. I could see her surprising for the win. 

Best Actor- Drama
Will Win: Casey Affleck (Manchester By The Sea)
Could Win: Denzel Washington (Fences) or Andrew Garfield (Hacksaw Ridge)

Evidence seems to point that this is Casey's to lose, but watch out for Denzel, who's film has been playing very well at the box office right now. However, I feel like we could be underestimating Andrew Garfield. Hacksaw was much more loved than the HFPA than we predicted and this may their way of rewarding Mel without actually rewarding Mel (plus he's the only of these 3 to be playing a true life character)

Best Picture- Comedy/Musical
Will Win: La La Land
Could Win: ??? 

I don't think anyone else stands a chance here. Florence Foster Jenkins seems a distant second. 

Best Actress- Comedy/Musical
Will Win: Emma Stone (La La Land)
Could Win: Meryl Streep (Florence Foster Jenkins)

Emma winning seems as locked in as La La Land winning Picture. Again, Meryl is a distant second. 

Best Actor- Comedy/Musical
Will Win: Ryan Gosling (La La Land)
Could Win: Ryan Reynolds (Deadpool)

Ryan Gosling seems like the obvious pick here, but will La La Land really win Picture, Director, Actress, Actor, Score and Song (going 6/7)? The other Canadian Ryan seems like he could be a threat here, but I don't really see it happening. 

Best Supporting Actress
Will Win: Viola Davis (Fences)
Could Win: Michelle Williams (Manchester By The Sea)

This seems to be Viola's, no question. However, I wouldn't be surprised to see an upset here. Who knows? 

Best Supporting Actor
Will Win: Mahershala Ali (Moonlight)
Could Win: Jeff Bridges (Hell or High Water)

I think Mahershala Ali should take this but again, I could see Jeff Bridges or even Dev Patel upsetting here. 

Best Director
Will Win: Damien Chazelle (La La Land)
Could Win: Barry Jenkins (Moonlight)

Both are relatively new to the scene but I think Chazelle takes this. La La Land is by far our overall awards frontrunner here and I think he'll take the directing prize here. 

Best Screenplay
Will Win: Manchester By The Sea
Could Win: Moonlight

Again, a battle between Manchester and Moonlight but I think Manchester By the Sea takes this one. The screenplay is beautiful, human and heartbreaking and I think they'd love to award Kenneth Lonergan this one. 

Best Animated Film
Will Win: Zootopia
Could Win: Moana

This category has seen a few upsets here in the last few years so I wouldn't be surprised to see one again but this should easily go to Zootopia. Right? 

Best Foreign Film
Will Win: Toni Erdmann
Could Win: Elle

I was tempted to put Elle since Isabelle Huppert got an acting nomination for it. I may regret this prediction later but I'm following the pack and predicting Toni Erdmann. 

Best Original Score
Will Win: La La Land
Could Win: Lion or Arrival

I think La La Land should easily take this but HFPA may go for Arrival (which was deemed ineligible by the Academy) or toss a bone to Harvey for Lion. 

Best Original Song
Will Win: City of Stars (La La Land)
Could Win: How Far I'll Go (Moana)

I mean, I'm still bitter "Drive It Like You Stole It" from Sing Street wasn't nominated here, but I think again La La Land should handily take this. However, I wouldn't be surprised if either Moana or Trolls (Justin Timberlake on stage!) steals this. 

La La Land

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La La Land, 2016
Directed by Damien Chazelle

La La Land tells the stories of two dreamers, Mia and Sebastien. Mia dreams of becoming an actress but is working as a barista, trying to get her first break. Sebastien is a jazz pianist who dreams of owning his own jazz club, but can't even seem to keep any piano jobs long enough to save up. The two encounter each other several times before falling in love, and dancing, together. And while the two gross closer they start to wonder if they can have both each other and the things they dream of at the same time.

Whiplash was my #1 movie of 2014, soLa La Land was by far my most anticipated movie of 2016. I fell in love with each other the trailers and was hoping and hoping this would finally mean a very overdue second Oscar nomination for Ryan Gosling. And finally upon seeing this film last week, it exceeded my expectations.

Once we get past a somewhat weak though fun opening number, we launch right into the stories of Mia and Sebastien. Emma Stone plays Mia and I am really, really glad that Emma Watson didn't end up playing her  like she was originally was supposed to because Emma Stone was really perfection for this role. Stone brought so much to the role and made Mia incredibly rounded as a character. Also, can we talk about the amazing costumes she (well, and everyone else) gets to wear? The set designs and costumes are really lovely, giving it both an "old Hollywood" and a very modern feel.

And I know most people are talking about Emma Stone, but my true favourite was Ryan Gosling as Sebastien. Had Gosling been born 60 years ago, I feel like he would've been a huge musical star. He brought so much warmth, charm and grace to the role of Sebastien, yet he was also very fun and meaningful. Again, this role was perfection for Ryan Gosling and I can't imagine anyone else doing this role but him.

The music was also fantastic and never felt too cliche for musical music. This is a musical that's both nostalgic and self-aware, which I feel is a very hard line to walk but La La Land does it perfectly. It both loves the past but is also so forward-looking. Even the musical moments themselves are often self-aware of how silly breaking out into song is in movies. It's great fun but it's also incredibly introspective.

I don't really know what to say about this movie that hasn't already been said. La La Land is a crowd pleaser and that ending is truly fantastic. I won't spoil anything, but I haven't seen an ending that perfect and sad and happy and wonderful since Mommy. This is a film that leaves both with heartbreak but also a smile on your face as you exit the theatre. It's a film that can be both enjoyed on a very surface level but, like Whiplash, there is much more to discuss underneath about nostalgia and compromise and dreams and love. Chazelle does an excellent job of not just making a happy-clappy musical but a story with depth and complexity.

If anything, just go see this movie! It will be incredibly worth your time as the music is excellent, the acting is perfection and it'll leave you in a cloud of happiness. This is a wonderful, wonderful film.


Saturday, 24 December 2016

December Blindspot: The Maltese Falcon

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The Maltese Falcon, 1941
Directed by John Huston

Wow, already at the end of another year! I have now finished two years of Blindspot movies and am trying to put together a list for my 3rd year. However, my final film to review is the noir classic, The Matlese Falcon.

The Maltese Falcon is one of Humphrey Bogart's earlier films. He had just come off the success of "High Sierra" and did "Casablanca" right after this film. The Maltese Falcon is a crime film that tells the story of Sam Spade, a PI, who gets in the thick of a bunch of eccentric criminals and the hunt for a fabled jeweled falcon.

To be frank, I actually didn't care a whole lot for the Maltese Falcon, and I feel kind of awful for admitting it. I found the film to be somewhat boring and a little hard to follow. I thought Humphrey Bogart gave a really masterful performance, and I really did think this would be a film I enjoyed. However, it was not to be, apparently, and I feel bad for saying so.

To be honest, I just don't really have a lot of opinions on this film. To be fair, my husband and I were both a little sick when we watched this, so our attention span wasn't the highest, but I don't really remember even all that much about the film itself. Like I said, I found the plot a little hard to follow as it always seemed someone wasn't who you/Sam Spade think they are and things are constantly twisting. That's not to say that this was a bad movie. Maybe if I give the film a rewatch when I'm a little more alert I'll enjoy it, but right now I found it a little disappointing. I'm a much bigger fan of Casablanca (who isn't, though?).


Monday, 19 December 2016

Manchester By The Sea

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Manchester By The Sea, 2016
Directed by Kenneth Lonergan

Lee Chandler is a janitor. He's quiet, prone to surliness and alone. But one day he gets a phone call and finds out his brother has died of a heart attack. Living an hour and a half away, he drives to Manchester, Massachusetts to where his brother and his brother's 16 year old son lived. Manchester, the city he grew up in and lived in for a part of his life before leaving. In the wake of grief, he finds himself newly made guardian over his 16 year old nephew, Patrick. But Manchester brings back old griefs, old heartaches and ghosts from his past.

Casey Affleck has been among my favourite actors for a while now. His work in The Assassination of Jesse James and Ain't Them Body Saints was stunning and it's been frustrating that he hasn't had a lot of good work since Jesse James. However, finally he landed the role of Lee Chandler. And now he's tipped (for now) to win an Oscar for the role.

Manchester By The Sea is not a showy film. It's a film about small moments and subtleties. It's a film I know I'll be thinking about for several days, still processing and digesting everything about it. It's a simple story, and one that's been told often. I can name several films about anti-social/awkward people who find their sister/friend/brother dead and now have to be guardian of a child and it helps them grow as a person. I can even think of a Katherine Heigel movie with that plot. But Manchester By The Sea wasn't like that. I mean, the story itself isn't breaking any new ground here, but the execution was flawless.

To be honest, it took me a while into the movie to see what the big deal was. For about the first 45 minutes or so I was kind of whatever on the movie. But finally, when we hit the scene that explains why everyone is talking about Lee Chandler, saying "THE Lee Chandler?", my heart broke and I was stunned. I won't spoil it, but from that point on, the film had me. This is a heart-wrenching film, but it never tries to make you sob in your seat in the theatre. It's simply a film that addresses loss and grief, and how we all deal with it (or don't). It's simple, but it's a film you'll be thinking about for days to come.

Casey Affleck here is spot-on for this role. However, this is not a showy role. There's not really any big juicy Oscar-clip moments. It's a subtle performance, but extremely nuanced. Casey is oozing with this sadness and desperation of Lee. He could not have given a better performance here. And then we also have Michelle Williams. It's a very small role for her, but she really packs the emotional punches here. Her scenes are much more juicy and emotional. I won't say much about Michelle's character, but she really punches you in the gut. And we also have newcomer Lucas Hedges (he was in Moonrise Kingdom! More people should talk about this). Lucas Hedges plays Patrick, Lee's nephew. He gives a great performance here and really nails how teenagers often deal/don't deal with grief and loss. They are lost, but don't know what to do. And Lucas was able to nail that.

Overall, this isn't a film I can see winning Best Picture, even though it is definitely one of the best films of the year. But this is a film filled with fantastic and must-see performances. Casey Affleck delivers a career-defining role here and it's not to be missed.


Friday, 16 December 2016


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Lion, 2016
Directed by Garth Davis

Lion is based on the true story of Saroo who, as a young boy growing up in India, got separated from his family and was lost on a train. He eventually gets adopted by a nice Australian family but he never forgets the events that led to him being separated from his mother, his little sister and his beloved older brother. As a young adult, Saroo learns of the new technology called Google Earth, and he sets out to try to figure out where he came from and how to get back home.

Honestly, I wasn't sure whether I would like Lion or not. I mean, I like true stories, and sometimes movies would've been better had they been true (ie Flight). However, I am often skeptical of whether the movie will actually be a good movie, rather than just settling for telling a good/true story. That being said, I felt like Lion mostly succeeded.

What worked for Lion is that it wasn't told in flashbacks. We don't go back and forth from past and present. The story telling here is linear, which I think works to the films benefit. Often film like this rely on this back and forth narrative, and indeed I expecting Lion to be the same way. But immersing ourselves in young Saroo's world for the first 45 minutes-1 hour was a treat. It was sad without purposely tugging on your heartstrings (too much) but was still a heartbreaking story of a young 5 year old, separated from everything he knows, in a part of the country that doesn't speak the language he knows. And young Sunny Pawar, playing little Saroo, is a treasure to watch. Sunny is incredibly adorable, but also feels very natural as a child actor. He just runs with the innocence and lostness of Saroo.

As we hit the second half of the film, we finally meet Dev Patel, playing grown-up Saroo. Dev Patel, most known for Slumdog Millionaire, has grown up. Only 17 when he filmed that film, Dev is now almost ten years older. And he has certainly grown as an actor. Dev is able to delve into the complexities of Saroo, both trying to embrace the world around him, but also trying to remember where he came from. As well, we have Nicole Kidman, playing Saroo's adoptive mother. While the early moments in the film of young Saroo and his new mother are heart-warming but also somewhat devastating, in their grown up years is where the film seems to lag somewhat. We aren't really given context to what their relationship is now besides that Saroo is a "good son". They are given a spattered relationship, at best, and I feel this drags the film down. However, Nicole Kidman is given some very juicy scenes and she plays them beautifully. I won't spoil much, but two scenes in particular had me teary.

Overall, the first half of Lion was by far the best, in my opinion. Almost completely in subtitles and led by a 5 year old, it is the most beautiful and heartbreaking. The second half of the film seems to drag a little too long and give too little context to Saroo and the relationships he has with others. However, Lion is a moving story about a man feeling lost, trying to find his way back home. It's certainly weepy, but that's in the very nature of the story itself. The cinematography is beautiful and Dustin O'Halloran's score is haunting and beautiful. It's not an overly memorable movie, but it's worth seeing.


Wednesday, 30 November 2016

November Blindspot: What's Eating Gilbert Grape

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What's Eating Gilbert Grape, 1993
Directed by Lasse Hallstrom

What's Eating Gilbert Grape is essentially a coming of age story set in a small town. Gilbert is a young man living in a small town, and has a lot of responsibility. His father passed away several years ago, he has a mother who is so overweight she barely gets off the couch (much less out of the house), has several younger siblings to take care of, but mainly needs to look after his youngest brother Arnie, who is mentally disabled. Arnie was never supposed to live very long as a baby, but is now about to celebrate his 18th birthday.

This movie is not an overly acclaimed movie, if I'm correct. However, what it's most known for is getting Leonardo DiCaprio his first acting nomination, and what some would say is his very best performance. To be honest, this was pretty much the only reason I put this film on my list. There are a lot of opinions about what Leo's best performance is (and I selected this film before I had seen the Revenant last year), so I really wanted to see what other people saw. Because it was 1994 and Leo was nominated for his first Oscar and was also up against Ralph Fiennes in Schindler's List, which is also another fantastic, for the history books performances. So when people always complained that Leo didn't win this Oscar, I always wanted to point to Fiennes also having lost that year, but I wanted to truly see which of the performances was more deserving.

In all honesty, I do actually think this might be Leo's best ever performance. To be fair, I haven't seen his performance in Wolf of Wall Street, but this performance is so unique from a lot of Leo's other performances. Maybe because this was essentially his first big role and what planted him on the map. But his performance here is so pure, and I feel like it's so natural and authentic of children/teens with autism. A friend of mine growing up had an autistic little brother and the character of Arnie and how he acted reminded me a lot of this boy/teen I knew. The mannerisms were just right and the writing behind it felt so true.

Besides Leo's performance, I felt the movie was just kind of okay otherwise. It was a pretty typical coming of age story for Gilbert. He's dealing with all his responsibility of constantly looking after Arnie while also trying to figure out his life and is falling in love. Johnny Depp did a good job here but he was thoroughly outshined by Leo.

Had Leo not been in this film, I would probably have forgotten about the film by now. It's a film similar to many I've seen before, though that doesn't necessarily make it bad. But the character of Arnie and his relationship with Gilbert is what makes this movie interesting.


Wednesday, 16 November 2016


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Sully, 2016
Directed by Clint Eastwood

I roughly remember "The Miracle on the Hudson". It was January 2009 and I was in grade 11. I remember hearing about a plane landing on the Hudson River in New York (a city I had just been in a few months earlier) and thinking that was pretty neat. It was a good story! So naturally, I wasn't surprised to hear a film was being made several years later.

Sully is a pretty typical story of a big event that happened. It shows the major event but also deals with the aftermath, and even gives us a little of the beforehand. However, to me, Sully was a slightly roughly chopped film. There didn't seem to be a good flow to the scenes and they seemed to be in an odd order.

The film opens with the days following the "miracle landing". We follow Sully, the pilot of the plane, and how the landing has affected him. He's suffering PTSD and keeps seeing the plane he flew and landed crashing into buildings instead of landing in the river. We go through a few deposition scenes and then suddenly, and slightly unceremoniously, we get the flashback to the crash/landing. The sequence comes about 30 minutes in and lasts probably 15 minutes. We then cut back to Sully speaking to his wife on the phone and we continue with the aftermath depositions and trials, and while Sully is in a bar, seeing himself on TV, we get another long flashback, etc, etc. I think the film could've been better laid out. Either show the entire sequence at the beginning, the entire sequence at the end, or evenly sit in the present and flashback. But this film was just inconsistent in when they would flashback and when they would sit in the "present". It's hard to describe, but it could've been better laid out and flowed better.

Tom Hanks as Sully was an incredibly obvious choice. Just like Captain Phillips, it seems like a role that Tom Hanks has been playing for roughly a decade now. He does a fine job but it didn't feel like we were seeing anything new from Hanks. Undoubtedly Hanks is a great actor, but I feel he's been playing the same role for a while now.

Honestly, I felt like Sully could've been a lot better. The first 15 minutes showed the PTSD of Sully and his co-pilot, which was something I would've liked Clint Eastwood to focus on more. But after those 15 minutes, it's not touched on much at all. The film just touches on a few things like this briefly, but doesn't focus on it throughout the film. There's a lot of interesting pieces here, but it kind of felt thrown together. This film could've been really great, because it's awesome to see some good news sometimes. But this film didn't do the film justice. It felt like there was some created drama just for the sake of having drama (the question of whether Sully made the right choice in landing in the Hudson or if he should've tried to go back to the airport). But it was a fine film, though I don't think it deserves any sort of awards attention. It's a good film that isn't overly creative or original. It's very typical for this type of film.



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Arrival, 2016
Directed by Denis Villeneuve

Honestly, Arrival is by far my favourite film of 2016 thus far. I mean, this isn't saying a lot because I haven't seen very many good films this year at all. But Arrival is an incredibly-made and a very intelligent film about Earth's first contact with an alien race.

Arrival is a film about communication, about humanity, about love and about how we perceive time. About how everything in our lives affects the way we see things and they change our perceptions. It's a story about Louise Banks, a world-renowned linguist, and how she is used by the army to try to communicate to aliens that have landed on Earth. 12 "pods" have landed all over the planet with no seeming pattern. And the aliens do not speak any Earthly language. Louise, with the help of Ian (a scientist), attempt to teach the Aliens English, and attempt to learn the language of the aliens.

For a long time, the human race has been obsessed with the idea of aliens and first contact. There are countless film about Alien invasions, about first contact, about friendly aliens, but just generally this idea that there is another, more intelligent race out there. But Arrival is a much different animal than many of the other "Alien" films out there. Arrival is both grand in scale but also an intimate human drama. It both tackles how this "arrival" impacts the entire globe, but also very specifically about how it is impacting Louise and her past and future.

Without giving out specifics or spoilers, Arrival is a film that actually knows how to deal with time. I'm not going to say any more about this, but this movie really understands the time aspect of it's film, which I find a lot of other movies don't. It uses time in different ways than other movies have done. I know this doesn't make a lot of sense to people who haven't seen this film, but trust me, you'll understand once you've watched it.

Also, Amy Adams give an incredible performance here. It's so internalized and subtle, but at the same time she's so in control and powerful. Louise is an incredibly strong character and she's incredibly brilliant. Amy Adams was such a great choice to bring Louise to life.

Honestly, Arrival is just an incredibly beautiful film about communication and how we come together as a planet. It taps into this idea that newcomers we don't understand are often automatically a threat. It shows how well and how badly we communicate with each other, both person to person, and on a global scale. Honestly, the ending will probably destroy you (the choice of music picked was 100000% perfection) and it's something very different for this genre.

I don't know how to articulate enough that Arrival is honestly a must-see film this year. It transcends so many different genres and takes the time to actually think through the science and the time of the story and just takes the time to build character. This is not a film with loud booms and lots of explosions. This film is cerebral and intelligent, but also human and heartbreaking in the best way. I would love to see this film make good money so it can tell Hollywood that these kind of intelligent film are important and they are good and are worth making. This should 100% be up for Best Picture come February, and I would love to see Denis Villeneuve and Amy Adams also singled out with individual nominations.


Wednesday, 2 November 2016

October Blindspot: Breakfast at Tiffany's

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Breakfast at Tiffany's, 1961
Directed by Blake Edwards

Based on a Truman Capote novel, Breakfast at Tiffany's is about a young woman named Holly Golightly and the interest she has in an older man that moves into her building. But Holly is mainly obsessed with finding a rich husband.

Honestly, I do not understand the hype over this film. I know the opening shots of Audrey Hepburn in this are classic, and even her performance in this film is really good (and quite different from other roles she has played), but I do not understand the love for this film, sad to say. I really did want to like it, but the story was just kind of weird and bland and Holly wasn't an overly sympathetic character. She has a complicated past and the new man who moves into her building (Paul Varjak), she keeps referring to him as her brothers name. Holly was a borderline Manic Pixie Dream Girl. I don't know whether this was Capote's doing (I feel like a novelized version of this is probably much more interesting), or whether this was the director/screenwriters doing, but Holly was just that typical character who seems to live vivaciously, but then has a dark past and isn't actually as happy as she seems.

Like I said, Audrey Hepburn does give a very good performance here, and the music was definitely a deserved Oscar win (as well as the original song). But I just found the movie kind of weird and boring and just not really what I expected. I almost wonder if most people just like to remember the classic-looking opening sequence and forget the rest of the movie.


Saturday, 29 October 2016


Sing Street
Sing Street is an 80's Irish musical about a young high school boy who starts a band in order to impress a girl. It's simple, but it's done really well and the music is really great!

Conor lives in Dublin in the 80's, where lots of the people around him, including his own family, are very poor. Lots of people are fleeing to England for a better life. I really enjoyed Sing Street! The music was actually really good and I thought it was a quirky, charming movie. While I couldn't always 100% understand the characters, because of the thick Irish accents, it was a fun movie with some good child performances, and some actually awesome 80's style music!

The Nice Guys
Ryan Gosling and Russell Crowe starring in a 70's buddy-cop comedy? I'm not sure a lot of people expected this duo to be the comical success that they were.

Directed by Shane Black, Gosling and Crowe play two detectives looking into the murder/death of an adult film star and a missing woman. The pairing of Gosling and Crowe is really quite brilliant. They are so different from each other and it's an unexpected pairing that works incredibly well. Ryan Gosling is really fantastic in this film and it's so much fun to see him act so ridiculous. His physical comedy is really hysterical (specifically a scene with him in a bathroom) and he actually gives a really good performance. I'd be bitter if he didn't get nominated for a Best Actor Golden Globe Comedy/Musical but I'm sure his performance in La La Land is even more exceptional. The Nice Guys is a fun movie, if somewhat a little too chaotic at times. But it benefits so well from Crowe and Goslings chemistry and humor.

Swiss Army Man
I do not think I have ever watched a stranger movie. Nor do I think I have ever liked a movie that was this strange. Honestly, the major draw for me here was the pairing of Paul Dano and Daniel Radcliffe. However, the idea of Paul Dano's character about to commit suicide after being stranded on a desert island for so long, only to be distracted by Daniel Radcliffe's corpse washing ashore and Paul Dano rides him as a boat while Radcliffe's farts propel them to land. Yes, that actually happens. And no, it doesn't stop there.

Somewhere, Swiss Army Man becomes a story about fitting in, about taking risks, about love and about life and grief. It's about living live vivaciously and taking a risk on love. But also about not caring what others think of you. It's a very, very strange film which has Daniel Radcliffe playing a talking corpse (and his body being used as an all-purpose tool, from a water tap to chopping wood) and has Paul Dano "dressed" as a girl for a large part of the film. But it's strange and wonderful and weird, but I kind of also really loved it. The music is honestly breathtaking and amazing, and I feel like this film really proves that Daniel Radcliffe can act (and reminds us why it's frustrating that Paul Dano is so underrated)

Finally, finally got around to watching Deadpool. Yay, Canadian Netflix! Deadpool is probably one of the very few superhero films I've been somewhat interested to actually see. It's R-rated (and takes full advantage) and is snarky, sarcastic and is constantly breaking the fourth wall.

For the most part, I really did like Deadpool. Ryan Reynolds gives one of his best performances in a role that seems tailor-made for him. As well, the movie is legit funny (Deadpool quipping, "McAvoy or Stewart?" when an X-Men threatens to take him to go see Professor X). The jokes land and the idea of breaking the fourth wall so much is a lot of fun.

However, I felt like it almost got a little too cutesy in it's quips. Sometimes it was a little too much (like the constant jokes about sequels in 22 Jump Street that was funny at first and were funny individually but overall was a little too much). As well, the plot line itself was not overly original either. In fact, it was pretty run of the mill. But Reynolds performance and about 95% of the script and humor are what make it worth it's while. I'm glad a film like this was eventually made and that it did indeed prove that R-rated films like this make money, if they're made right.