Thursday, 23 June 2016

Free State of Jones



Free State of Jones, 2016
Directed by Gary Ross

Free State of Jones tells the little known story about a group of runaway and slaves during the American Civil War. Led by Newton Knight, a Confederate soldier who deserted, he grows this community and form an armed rebellion against the Confederates.

To be honest, Free State of Jones left me feeling not too much while walking out the theatre. I felt more appreciation for the facts it told than admiration for the story it told. What I mean is, Free State of Jones touched on a lot of interesting parts of history that I hadn't seen told on screen before, however it could've been told much more cinematically.

The first half of this film tells of Newton Knight deserting the war to deliver a young boy's body back home to his mother, the same hometown Newton is from. Already fed up with the war, he starts to empower the women who are left behind and grows frustrated that the Confederate soldiers are taking much more than the "10 percent" of homeowners food and clothing. He becomes such a nuisance in the community that he must flee and joins a small community of escaped slaves in the swamps of Mississippi. From there, the community grows into more than just escaped slaves. It becomes other men who deserted the war and others who are tired of the Confederates and want to join in a rebellion against them. Much of this is well told, and we see our characters grow and relate to one another. Newton grows close with Rachel, a woman who is a housemaid but is a large part of the resistance.

However, the second half of the film seems to try to cover too much time and doesn't concentrate enough on any point. It just sort of hop-skips to different "interesting" points without too much character develop or growth or even narrative (besides the onscreen captions telling us what happens) in between. That being said, the points they do lead to are interesting. They are parts little told about after the war and the tensions in the south after the Emancipation given by Lincoln. However, it almost seems like a montage of "important" moments that just happen to feature the same few set of characters. It's just a shame that there couldn't be a better overall narrative. While many historical films often seem to care more about their characters and their stories, this movie seems to have overcompensated. It seems to care too much about the facts and is less focused on building a good narrative or character development.

However, much good can still be said about this film. Matthew McConaughey gives a worthy performance as Newton. A sort of Robin Hood character, Newton is kind but fierce and McConaughey nails the balance. And I don't mean to undercut the character of Rachel in the above description. She is a great behind the scenes force in this rebellion. She starts by feeding the small band of escaped slaves and Newton, providing them with small knives and food. Gugu Mbatha-Raw gives such emotion to Rachel. An actress who deserves much bigger roles than she's been getting is a force of gracious strength.

As well, while the narrative could've been better, the inclusiveness of everyday religious language that likely would've been commonplace back then was very well done. There was much more talk of God and Jesus, and having characters state "no one can own a Child of God" seemed much more appropriate than some other historical films are often written. As a Christian, it was encouraging to see that this film didn't shy away from that, and it felt much more authentic because of that.

Overall, like I mentioned in the beginning, I neither really liked nor really disliked Free State of Jones. I have much appreciation for the parts of history they decided to tell. The film had a lot of potential, and even reached it at points, but it's a film that would've been much better suited to be told in a TV mini-series than a two-and-a-half hour film.

6/10

Tuesday, 31 May 2016

May Blindspot: Fargo

Fargo, 1996
Directed by Joel Coen

I seriously wasn't sure if I was going to be able to find time to watch a blindspot this month. I'm currently in the midst of packing up so my husband and I can move 4-5 hours away for my husbands new job, starting this Monday. So we've been extremely busy. However, I finally did manage time to watch this movie, right before the end of the month.

However, I feel like this film is a little difficult for me to review. Without having watched this movie first, my husband and I just finished watching Fargo Season 1. So this movie and show were very similar, but Fargo the movie felt so much shorter and brief, due to the fact that Fargo the show was able to expand on it's plot for almost 10 hours. So watching the movie after the show made it feel like an incredibly shortened version of the show.

Anyway, Fargo is about crime in small town Minnesota. Jerry Lundegaard is car salesman who is in so much financial trouble that he hires two men to kidnap his wife for ransom, to be paid by his father in law (who is rich and owns the car dealership Jerry works at). However, things go wrong quickly and the situation rapidly turns from non-violent (like intended) to extremely violent and hostile. Soon, the pregnant chief of police is on the case, who is determined to solve the triple homicide that ensued.

Fargo is a film I'll need to watch again in a few months time, once I've had a bit of space from the TV show. The two were very similar in tone, music, look and story, which speaks highly of both the mediums. I really loved the first season, so I was happy to find out how much the show mirrored and reflected the original film.

Marge Gunderson, played some tenaciously by Frances McDormand, is an extremely eager and determined police chief, and what starts as a triple homicide finds her wrapped up in something larger. I'm a little surprised that Frances McDormand won an Oscar for this, but I'm pleased she has one. Her part wasn't extraordinarily large (or it didn't feel like it anyway) and it wasn't an overly "showy" performance, but she was quirky and determined and fun to watch. Those type of performances don't often win awards! As well, William H Macy was so great as Jerry. A little awkward, but crazy enough to have his wife kidnapped, Jerry is an interesting character and William H Macy played him just so well! Also, Steve Buscemi was creepy and weird but so good as well. What great casting for this one!

Fargo was a fun movie that is kind of darkly funny (something the Coen brothers are known for). It's a film I'd really like to revisit once I've gotten some space from Fargo the show. However, I did enjoy Fargo, though not nearly as much as other people do. Though that often seems to be the case with me and Coen brother movies. They always seem right up my alley, and often are, but they just don't make a huge impact on me. But we'll see once I re-evaluate this in a few months down the road.

8/10

Wednesday, 25 May 2016

Top 10 Films of 2015

So now that we're getting close to being halfway through 2016, I thought it would finally be time to post my top 10 films of 2015! Yes, I know, I always post these really late, but I never get a chance to see everything I want to in theatres and several I like to watch more than once before deciding, so finally I think I have settled on my list!

2015 was an interesting year for film, in my opinion. We had a post-apocalyptic action film as one of the best reviewed films of the year, there was a 3 way race between a comedy, a journalism film and a western epic for Best Picture, an indie movie won Best Visual Effects, and we continued the trend of releasing lots of Christian/Biblical based movies. As well, we saw a year that had more female-led films at the forefront, though it was always another year of #Oscarssowhite. However, this year was a fun year for movies, and while I had fewer films I was passionate about than last year, there were lots of great films. Check out my list of my favourite 10 below.



10. Love & Mercy
I have no idea what to expect going into this movie. This was one I had heard good reviews about from TIFF in 2014, but it was like 8 months later that I picked up this DVD from the library. Like Carey Mulligan above, I absolutely love Paul Dano and am interested in basically everything he's in. Love & Mercy is the beautiful and heart-breaking story of Brian Wilson, leader of the Beach Boys. The narrative flips from Brian in the 60's, crafting his masterpiece "Pet Sounds" while losing his grip on reality and dealing with mental illness, and Brian in the 80's, who is under the control of his guardian/therapist but falls in love with Melinda. Love & Mercy is so fantastically acted. It's such robbery that Paul Dano never managed to get an Oscar nomination for this. As well, both Elizabeth Banks and John Cusak do amazing work, and it's a shame this movie wasn't more highly recognized. The Beach Boys are a band I know literally nothing about, but this story of Brian is a beautiful one.



9. Spotlight
Spotlight is a wonderful and heartbreaking film about the sexual abuse within the Catholic church, and the Boston Globe Spotlight team who cracked the case open wide in the early 2000s. Spotlight is just so perfect in the way that it delves into the story and that's the main focus. We get offhand comments about the journalists personal lives but never much more than that. We don't have a romance storyline or a divorce storyline or really anything between these journalists except for what happens while researching the scandal. Spotlight reveals things steadily, getting more and more shocking as we go along, but never sensationalizes the topic it's dealing with. Everything is treated with sensitivity, but it's also shocking enough to make it's point. Spotlight is pitch-perfect in the way it handles it's subject matter and it's characters, balancing respect and shock. The acting is great and the pacing is just perfect.



8. What We Do In the Shadows
I love a great, quirky comedy. And this is as great and quirky as they come. From the guys who brought us Flight of the Concords, we have this horror mockumentary about a group of vampires who live as roommates in Wellington, New Zealand. I don't even really know how to describe this movie, but it's like watching the Office, but it's about vampires who live together. They've been vampires for a few centuries, so have a hard time adjusting to technology and don't understand the modern world. But they also can't see themselves in the mirror so are unable to see what they look like or how their outfit looks before they go out. This movie is honestly just hilarious and is a fantastic use of the mockumentary style. Do yourself a favour and watch this movie if you haven't already!



7. Sicario
There are a few movies out there that, right after I watch them, I know I immediately need to see it again (and I do). Sicario was one of those movies. I watched Sicario 2 days in a row, needing  second time to take in everything I had seen. Sicario is the story of idealistic FBI agent Kate Macer. She's recruited onto a government task force to fight the war on drugs between the USA and Mexico border. However, the two men she work with don't exactly do everything by the books. Sicario is an excellent thriller. Emily Blunt gives such an intense and reserved performance. Once again, it's a shame Emily Blunt was looked over when it came time for Oscar nominations. As well, Benicio Del Toro gives a chilling performance. As Alejandro, Del Toro  perfectly gives us an air of mystery, but we also know he's probably not someone Kate can trust (nor does she). Sicario is proof enough that, just because there's a female at the top of the cast, doesn't mean a film can be any less harsh, violent, serious or well-made.



6. Steve Jobs
I'm a sucker for Aaron Sorkin. I feel like I'm one of the only people who really, really enjoyed the Newsroom. So when I heard Aaron Sorkin was penning the script for a 3 act Steve Jobs movie, I was incredibly interested. As mentioned, Steve Jobs is told in 3 acts, all at 3 products launches that were big parts of Jobs career, whether for good or bad. Michael Fassbender is so electric as Steve Jobs. While he may not look all that much like him until the 3rd act, he brings such an energy to the role that's irresistible. The supporting cast as well is able to shine. Kate Winslet as Jobs's assistant Joanna is the heart and sole and the goodness of all the manipulative people around her. Jeff Daniels and Seth Rogen are both given great moments to shine and really do lots with their roles. I personally think Steve Jobs was a fantastically written film, and it was just s whip-smart, snappy and smart (everything you expect a Sorkin script to be). Personally, I found it disappointing that it's only Oscar notices were for Fassbender and Winslet, it deserved a Best Picture nomination, directing and screenplay nominations. However, Steve Jobs is a risky and interesting take on an American icon, and it's incredibly well told, acted and paced.



5. The Revenant
A film that was high on my anticipation list a year before it was finally released, The Revenant is such a beautiful film, filled with spirituality, symbolism, violence and sadness. The heart-breaking story of a man left for dead by his compatriots, Hugh Glass literally crawls out from his grave and treks across the American wilderness, seeking revenge on the man who left him and killed his son. The cast here is fantastic. I can't say enough about Leo's performance in this. He's 150% committed to this role, and it definitely shows (in a good way). This movie isn't afraid to take it's time, to flesh out it's characters, to meditate on the scenery surrounding the characters and to have long stretches without speaking. Inarritu crafts such a different film from last years Best Picture winner, Birdman, and it's a film that makes your heart ache. The Revenant is just such a beautiful and heart-breaking film, I'm so glad that Emmanuel Lubezki three-peated to win his 3rd Oscar in a row. And while I don't know how often it's one I'll revisit, it's one that stays in my soul long after I've watched it.

4. The Big Short
The first time I watched the Big Short, I didn't even come close to fully understanding what was happening. So while I originally gave the film a 7/10, I knew that would likely shoot up the more times I watched it. And since first watching in December, I've watched it two more times, both of those within close proximity to each other. And while I can't say I understand everything that is discussed in this film, I've had a lot of time to come to understand the basics. And wow, what an incredibly smart movie this is. This film walks the incredible line of being a snarky and sardonic film, filled with wit and humor, to showing us how big a deal the housing market crash was going to be and how much it impacted, not just America, but the entire world. The Big Short is an incredibly smart movie, and it's films like this that undoubtedly deserve to win screenplay awards. Adam McKay is incredible in giving us a film about a topic almost no one understands, and it never feels like we're watching a dull movie that's lecturing us. He presents it to the audience in a way that will make us pay attention.



3. Ex Machina
I don't know if I can really say anything about Ex Machina that hasn't already been said. It's bone-chilling and such a psychological ride. It's an incredibly fascinating movie that explores so many interesting themes and ideas. When Caleb wins a contest to spend the weekend at his companys CEO Nathan's private estate, he finds out it's more than just relaxing at this beautiful home. He gets to do a type of Turing test on Ava, an AI that Nathan has created. However, Caleb finds himself quickly falling for Ava. The acting here is so impeccable, the cinematography stunning, and the screenplay is incredibly smart. Ex Machina is not a film for everyone, but it's definitely one a lot more people should see.



2. Brooklyn
Man, is this not the sweetest and nicest movie you've ever seen? And despite that, it's not to be taken as a less serious or well made movie. I can't remember the last time a movie this "nice" was made and was as well received as it was. Saoirse Ronan is just so incredible and could not have been more perfectly cast. As well, the true MVP of this seems to be Emory Cohen as Eilis's sweetheart Tony. Emory Cohen truly lights up the screen as his loveable and sweet Tony. But the story itself is just well told, and takes its time to let the story just stroll along.



1. Mad Max: Fury Road
Could my #1 movie be anything other than Mad Max, really? Mad Max: Fury Road was the surprise of the year for me. It wasn't until a few days before the movie hit theatres and I started to see how incredible the reviews were that I started to get interested. However, my husband and I found ourselves with a free afternoon the weekend it came out, so after debating whether to go see Kingsman at the $5 theatre or seeing this opening weekend, we made the very correct choice of seeing Mad Max. Mad Max is a movie you NEED to see if you haven't already. It's the perfect blend of action, story. It's simple in premise, but George Miller elevates this beyond it's simplicity, giving it more than meets the eye. There are so many wonderful women in power and in charge in this movie, and the relationship between Max and Furiosa is so wonderful. As well, the 5 wives are all so incredible and take charge in their situations, instead of just being damsels in distress. And Nux has such incredible growth over the course of 2 hours. It's feminist, it's hardcore, it had a guy who's blind and playing a flame-throwing guitar! Seriously, this movie is ridiculous and fun and so amazing. I can't say enough about what an absolutely perfect movie this is. It'll be redefining the action movie genre for years to come.






Monday, 9 May 2016

Mini Reviews: The Jungle Book/Creed/Sisters

Hi all! I thought I'd do a few quick reviews for you since I haven't been able to really find the time to write full reviews, but still wanted to share my thoughts!

The Jungle Book
The Jungle Book is a movie I grew up with and know really well. It's one of the few handfuls of movies my grandmother owned and we watched it frequently when my family went to visit her. So as a result, I was a little wary of the "epic" and action-filled trailers that was making the Jungle Book look more like an action-adventure than it's fairly relaxing cartoon counterpart. However, my fears were very eased upon viewing. Yes, it's more action packed than the original, but most of the action scenes were just expansion on scenes in the original. The ease of Mowgli spending time with Baloo, with Baloo and Bagheera bickering and how uneasy Kaa the snake makes us are all included. Yes, there are alterations, but I felt JOn Favreau did an excellent job of being an adaption of a well loved film, but also expanding story lines and references to the original film, and making the film able to stand on it's own.

The voice cast, as I'm sure you've heard by now, really is exceptional. Ben Kingsley as Bagheera is restrained but reassuring. Lupita Nyong'o is warm and motherly as Raksha (Mowgli's wolf mother), Bill Murray is exactly as perfect as you'd expect playing Baloo, Idris Elba is terrifying as Shere Khan, Scarlett Johansson is absolutely chilling as Kaa the snake and, my personal standout, Christopher Walken as King Louie. Absolutely terrifying, his voice suits this role more than I could've expected, and his rendition of "Wanna Be Like You" is incredible. As well, newcomer Neel Sethi is so precious and perfect as Mowgli. The visual effects and animation of the animals are superbly done. Jon Favreau has created a marvel here as this film is such a treat.

9/10


Creed
As a disclaimed, I do not enjoy Rocky. I watched the first one and didn't care for it. So I knew Creed was never going to be my cup of tea. However, the fact that this was starring Michael B. Jordan and directing by Ryan Coogler piqued my interest slightly, but boxing movies, especially ones within the Rocky franchise don't interest me. And while I enjoyed the movie slightly more than I thought, I still didn't think this film was overly special. Michael B Jordan is very good here, and while I did think Sylvester Stallone does a great job, I don't think he really deserved to win an Oscar for playing Rocky again. My personal standout was Tessa Thompson, as Don's girlfriend Bianca. However, she was a woman with her own agency, and wasn't just "the girlfriend" which was incredibly refreshing. Can I just get a movie about Bianca? That I would definitely watch! Anyway, Creed was able to lift itself above the stereotypes of the boxing movie genre, but it's still just not a film for me, because I wasn't really the target audience.

7.5/10

Sisters
We've all been waiting for another Tina Fey/Amy Poehler movie since they last got together to do Baby Mama. However, Sisters is probably just as good as the mediocre Baby Mama. Sisters is a pretty typical story. Maura and Kate are sisters, but could not be more different. Maura is the responsible one who just went through a divorce. And Kate is the irresponsible single mother who loves to party and keeps losing her job. When their parents announce they're selling their childhood home, Maura and Kate are crushed. But when they are told to come home to clean out their rooms, they decide to throw one last party like they had in high school. Sister had some good laughs, but not enough for me to overly love the movie. Amy Poehler and Tina Fey have such great chemistry though that it almost(!) makes up for how mediocre the movie is. Sisters was a movie that could've been way funnier, and even had a bit of character development, but it just didn't make it all the way.

6/10

Sunday, 1 May 2016

April Blindspot: Jaws



Jaws, 1975
Directed by Steven Spielberg

Wow, the last post that I did was my March blindspot! Sorry it's been so long, but my husband and I spent 2 weeks of April in Italy, so that was most of our month. Hopefully over the next week or so I'll be able to catch up on some quick reviews. But most of all, I needed to post my April blindspot! I know it's already May 1st, but I did watch this in April (two days ago) and have finally gotten time to sit down and share my thoughts.

Again, Jaws feels like a movie that's pretty self-explanatory and most people already know what the film is about. Amity is a small New England beach town that, right before the 4th of July, sees a young girl attacked by a shark and killed. The new police chief, Martin Brody, wants to close the beaches, but with the 4th of July coming up, the Mayor of Amity doesn't want to lose any business or tourism by closing the beaches. However, after a little boy is killed by the shark in the middle of the day, with dozens and dozens of family witnessing it, a call is sent out for the shark to be killed.

Honestly, Jaws is kind of cheesy. I mean, it's a story about a mayor who doesn't want to close his beaches because he's scared of losing tourism money, even though half the town just saw a little kid get eaten by a shark? However, at the same time, it's still an effective thriller! I mean, there's tons of shots in the first half of the film that are from the sharks point of view, with that menacing John Williams score playing, with the shark weaving in and out of people legs and you're wondering who is going to be attacked next. Or we know the shark is coming and people pull their legs out of the water just in time. Stuff like that. Honestly, it stressed me out a little bit and it was great! I'm glad that this still holds up as a decent thriller, even if the actual story is a bit cheesy. But does anyone really watch this movie for the plot though?

As well, I felt the effects of the shark held up decently for being 40 years old. However, the fact that there actually wasn't tons of footage of the actual shark made the movie much more effective. Even so, the shark jumping up on the boat at the end of the movie, while obviously not amazing looking, is not as bad as it could've been for being 40 years old. Similar to the dinosaurs in Jurassic Park that looked much more amazing when it originally came out, but they still are pretty decent robotics now.

While I didn't love Jaws nearly as much as I enjoyed last months Blindspot (Die Hard!), it was fun finally, finally, finally catching up with such a classic. It amazes me that Spielberg was a mere 26 years old when he filmed this (only 2 years older than I am now!) and that this essentially got him his career. While it doesn't nearly have the engaging plot or character nuances of many of Spielbergs other films, it's still an exceedingly fine entry into his filmography and remains a classic thriller for a reason!

8/10

Friday, 25 March 2016

March Blindspot: Die Hard

Die Hard, 1988
Directed by John McTiernan

I'm going to start off by just saying that Die Hard 100% lived up to the hype. After years of men in movies/TV constantly obsessing over this movie, I can now say I finally understand. And while it may not be my #1 movie ever!!!!!!!, it's definitely a movie I extremely enjoyed and would definitely watch multiple times.

In case you didn't already know, Bruce Willis plays John McClane, a New York City cop, who flies across the country to visit his estranged wife and 2 daughters for Christmas. Before heading to his wife's house, he decides to surprise her at her work Christmas party, hoping they can reconcile. However, not long after John McClane arrives, the party is interrupted by a group of organized criminals, lead by Hans Gruber. John manages to stay hidden and hopes to be able to contact authorities, but John finds he's the companies only hope...

Bruce Willis is just so great as John McClane. And how cool is John McClane? He's a stand up guy, hoping to try to make things right with his wife, and goes to all ends to try to save her, her company, and the people she works for. Yes, John is NYPD and he feels it's his job, but McClane goes above and beyond the call of duty, for selfless reasons. And this is why I love this movie! Sometimes it's nice to see this genuinely nice guy save the day. And his friendship with Sgt. Al? I love that guy! For a movie from the 80's, it was interesting to see how diverse the cast was. Between the Japanese owned company that John's wife works for, Sgt. Al, and Argyle the limousine driver, it's nice to see. Die Hard is the perfect example of how to do a minimalist action movie. The premise is extremely simple, and the movie basically has one location the entire film. It's a simple story and premise, but it never feels too simple. Die Hard strikes the right balance between action, heart, and story.

Look, is this movie the best movie ever made? No, it's not. But it rightfully deserves a spot on the shelf when we talk about the best action films ever made. Because this is definitely one of the best, and most well-made action movies I've seen in a long time. I can tell just how much of a genre this definitely inspired, and while I have no idea if the sequels are any good (I'm definitely going to take them with a grain of salt), it's too bad so many people have tried and failed to rip off this movie. It's a movie that inspired so many other movies, but like all other cases like that, the original always stands up so much higher than the copy cats.

9/10

Monday, 29 February 2016

Oscar Results + Reactions


Wowowow! A chaotic year ends with an equally chaotic Oscars. Lots of upsets and surprises! I really did not do all that well on predictions this year! I was on such a streak until the Sound categories, and then things started to just fall apart. I mean, it's frustrating, but at the same time, most of the upsets I was very happy with the results. How cool is it we live in a world where Mad Max: Fury Road has 6 Oscars? An indie film winning Visual Effects? And Leo finally has an Oscar!

However, I will say I was mainly unimpressed by Chris Rock. After this whole #oscarssowhite and people saying that this isn't just a black issue, but it's an issue for all minorites, Chris Rock turned this into just a "black issue". No mention of how there were no Asian nominations, or Hispanic nominations. It was simply just "no black people were nominated!" I don't know about you, but this was incredibly frustrating to me. Diversity is so much more than just 1 minority getting representation. When was the last time we had an Asian woman up in an acting category? However, other than that, Chris Rock did have some good points about diversity, even if not all of his jokes completely landed. Also, Louie CK stole the show with his comments about Best Documentary Short.

Anyway, my predictions did not do all that well, with 15/21 (aka 71%). I mean, it's not bad considering all the upsets, but I had hoped to do much better than that this year. Last year I did 17/21, and the year before was 18/21, so I guess I didn't do much worse, but this was the first year I didn't get Best Picture correct. How well did everyone else do?

I'll give a category by category recap below!


Best Picture
Prediction: The Revenant
Winner: Spotlight

I predicted the Revenant on this one, but was never 100% convinced, and always had a funny feeling Spotlight could end up taking this. I just was never gutsy enough to predict it, especially since I only predicted it to win 1 other Oscar (which hasn't happened since the 1950's). But Spotlight took this one home, and I'm very, very happy! Spotlight is such a top notch film with such an important story. I'm so glad to see this prevail!

Best Director
Prediction: Alejandro G. Inarritu
Winner: Alejandro G. Inarritu

I mean, I really, really, really wanted George Miller to win here. And I had a flicker of hope after Mad Max ended up winning the 2 sound categories, with a total of 6 wins. But Inarritu becomes the first person to win Back to Back Directing Oscars since 1950. I mean, Inarritu is a worthy winner, but when he was up against George Miller, it should've been no contest for Miller.

Best Actor
Prediction: Leonardo DiCaprio
Winner: Leonardo DiCaprio

I've been loving that I can point that while watching last years Oscars with my family, I told them Leo would be winning next year. And the fact that I never predicted anybody else to win this category all year. Leo is finally a winner!

Best Actress
Prediction: Brie Larson
Winner: Brie Larson

I really wish Saoirse Ronan had won (how great did she look at the Oscars!?) but I'm still really happy with Brie winning.

Best Supporting Actor
Prediction: Sylvester Stallone
Winner: Mark Rylance

I knew this was the category that would be most likely to have an upset, and an upset we had! I was never 100% sure Stallone would win (the lack of SAG and BAFTA was curious to me), but I feel so blah about Rylance winning here. Had he had more screentime in Bridge of Spies, maybe I would've liked this win more. But he wasn't given all that much to do, and I probably wouldn't have noticed his performance had he not been given so many nominations. Was pulling for a Ruffalo/Hardy upset.

Best Supporting Actress
Prediction: Alicia Vikander
Winner: Alicia Vikander

Still a little sad that Rooney Mara didn't win, but Alicia really has had quite the breakout year. Still, she should've won for Ex Machina instead, and I think we all know that.

Best Original Screenplay
Prediction: Spotlight
Winner: Spotlight

Happy for Spotlight here! Again, a very well-written screenplay, and I'm happy to see if wasn't just a consolidation prize!

Best Adapted Screenplay
Prediction: The Big Short
Winner: The Big Short

While I never truly bought The Big Short as a potential Best Picture winner, I'm glad it didn't walk away empty-handed. And Adapted Screenplay is exactly the category it should win.

Best Cinematography
Prediction: The Revenant
Winner: The Revenant

Man, Chivo is such a legend. While it would've been cool to see Rogers Deakin finally win for Sicario, I can't deny how beautifully shot The Revenant was. Has anyone else ever three-peated at the Oscars? And his 3 wins are so different from each other. Can't deny this win!


Best Costume Design
Prediction: Mad Max: Fury Road
Winner: Mad Max: Fury Road

So, so excited Mad Max won. And Jenny Beaven and her wonderful Mad Max leather jacket! Can I have one? Very excited about all the Mad Max love!

Best Film Editing
Prediction: Mad Max: Fury Road
Winner: Mad Max: Fury Road

I'm so, so glad this went to Mad Max. For the third year in a row, this absolutely went to the right movie, despite whether it was a BP frontrunner or not. This and Whiplash winning last year are two of my favourite wins. Also, so many females won Oscars for Mad Max, including this category. So awesome!

Best Makeup and Hairstyling
Prediction: Mad Max: Fury Road
Winner: Mad Max: Fury Road

Again, just looking at those war boys, I think we all knew Mad Max had this in the bag.

Best Production Design
Prediction: Mad Max: Fury Road
Winner: Mad Max: Fury Road

Again, Mad Max 1000% deserved to win this. The production design on this movie is one of the best parts of the film, and I'm so glad to see this recognized!

Best Original Score
Prediction: The Hateful Eight
Winner: The Hateful Eight

Best Song
Prediction: "Til It Happens To You" (The Hunting Ground)
Winner: "Writing's On the Wall" (Spectre)

Honestly, 100% the most disappointing win of the night, by far. Not that I overly cared for Lady Gaga's song, but Sam Smith's song is just so meh.

Best Sound Editing
Prediction: The Revenant
Winner:  Mad Max: Fury Road

I changed my prediction for MM to The Revenant only 24 hours before the Oscars. Definitely regretting this, but very happy to have been wrong! Also, I love how their presentation of each nominee really showed what sound editing was (or at least helped me to understand it better). Very cool!

Best Sound Mixing 
Prediction:The Revenant
Winner: Mad Max: Fury Road

MM definitely deserves to win here, so I'm very pleased. It was also about this time of the night when I started to doubt The Revenant would actually win Best Picture.

Best Visual Effects
Prediction: Star Wars: The Force Awakens
Winner: Ex Machina

Did literally ANYONE predict this? I was so incredibly stunned when this happened, my jaw literally dropped. But how cool is it this little indie film would VFX? I am so happy with this win, it is so deserved. I mean, I would've loved to have seen Mad Max collect a 7th Oscar, but I definitely love that the Oscars actually went their own way and made such a cool decision!

Best Animated Feature
Prediction: Inside Out
Winner: Inside Out

We all knew this one was coming. Next comeback for Pixar!

Best Documentary Feature
Prediction: Amy
Winner: Amy

Haven't seen it yet, but it hit Netflix a few weeks ago, so I'll definitely be checking it out soon!

Best Foreign Language Film
Prediction: Son of Saul
Winner:  Son of Saul

Saturday, 27 February 2016

Final Oscar Predictions






What a year it's been! My husband teases me that every year I tell him "this year is the most confusing!" and while I probably do say that at some point every year, I think we can all truly agree this year actually has been the most confusing, and I think we're definitely in store for a somewhat unpredictable evening on Sunday.

With the Oscars only about 24 hours away, I thought it was finally time to post my final predictions. So many of these I'm not confident on at all, but it's always fun to look back and see where I went surprisingly right and surprisingly wrong.

Best Picture
Spotlight
The Big Short
The Revenant
The Martian
Mad Max: Fury Road
Room
Brooklyn
Bridge of Spies

Will Win: The Revenant 
Could Win: The Big Short or Spotlight
Should Win: Mad Max:Fury Road/Spotlight/Brooklyn

This is definitely the most difficult prediction. Pretty much all 3 of the frontrunners have some sort of history again them, and all 3 have won major guild awards. But I think I'm going to end up with the Revenant. However, I could be completely wrong, and wouldn't even be surprised. The Revenant just has so much momentum right now, that I see this going all the way.


Best Director
George Miller- Mad Max: Fury Road
Lenny Abrahamson- Room
Tom McCarthy- Spotlight
Alejandro G. Inarritu- The Revenant
Adam McKay- The Big Short

Will Win: Alejandro G. Inarritu (The Revenant)
Could Win: George Miller (Mad Max: Fury Road) or Adam McKay (The Big Short)
Should Win: George Miller (Mad Max: Fury Road)

By and away I feel like George Miller should really be winning this for his totally mad and crazy movie he was able to co-ordinate. However, it doesn't look like that'll happen, and Inarritu will win the first Back to Back director win since Joseph L. Mankiewicz in 1950. Inarritu would as well be a worthy winner, as The Revenant is a beautiful directorial achievement. But in my heart, this belongs to George Miller. 


Best Actor
Leonardo DiCaprio- The Revenant
Michael Fassbender- Steve Jobs
Eddie Redmayne- The Danish Girl
Bryan Cranston- Trumbo
Matt Damon- The Martian

Will Win: Leonardo DiCaprio (The Revenant)
Could Win: really!? 
Should Win: Leonardo DiCaprio (The Revenant)

This is the biggest lock of the night. No one else is even a competitor this year. 

Best Actress
Brie Larson- Room
Cate Blanchett- Carol
Saoirse Ronan- Brooklyn
Jennifer Lawrence- Joy
Charlotte Rampling- 45 Years

Will Win: Brie Larson (Room)
Could Win: Saorise Ronan (Brooklyn)
Should Win: Brie Larson or Saorise Ronan

I personally like Saoirse Ronan's performance a hair better than Brie Larson's, but Brie did also give a fantastic performance and it's a worthy win. Especially since she was snubbed for Short Term 12 a few years back. 

Best Supporting Actress
Rooney Mara- Carol
Jennifer Jason Leigh- The Hateful Eight
Kate Winslet- Steve Jobs
Rachel McAdams- Spotlight
Alicia Vikander- The Danish Girl

Will Win: Alicia Vikander (The Danish Girl)
Could Win: Kate Winslet (Steve Jobs)
Should Win: Rooney Mara (Carol)

I really, really enjoyed Rooney Mara in Carol and I'm frustrated that this isn't her year. And we all know Alicia Vikander should really be nominated for Ex Machina. Nevertheless, Alicia Vikander had a smash "debut" year and will likely win here. However, watch out for Kate Winslet, who actually gives a supporting performance. 

Best Supporting Actor
Mark Rylance- Bridge of Spies
Sylvester Stallone- Creed
Mark Ruffalo- Spotlight
Christian Bale- The Big Short
Tom Hardy- The Revenant

Will Win: Sylvester Stallone (Creed)
Could Win: Basically anyone, minus Christian Bale
Should Win: Idris Elba (Write in nomination!)

I feel like this is the category with the most potential for an upset. Sly was only nominated at the Globes and was snubbed for BAFTA and SAG, which doesn't look great. However, there hasn't really been a consensus on who else would win, and Stallone got huge love at the Globes, giving him the sentimental win.  However, this is Ruffalo's 3rd nomination in 5 years, and if his movie wins Best Picture, he might get swept up. Mark Rylance may win as a consolation prize for Bridge of Spies, and Tom Hardy was nominated here unexpectedly, but shows there is strong support for him and his 2 movies (between which have 22 nominations). But Stallone seems to have the sentimental edge. 

Best Original Screenplay
Spotlight
Inside Out
Bridge of Spies
Ex Machina
Straight Outta Compton

Will Win: Spotlight
Could Win: Straight Outta Compton
Should Win: Ex Machina

I really, really want Ex Machina to win here. How cool would that be? Spotlight will likely win here as a consolation prize, but I'd keep a strong eye out for Straight Outta Compton, who could give it a run for it's money. 

Best Adapted Screenplay
Brooklyn
The Big Short
Room
Carol
The Martian

Will Win: The Big Short 
Could Win: Room
Should Win: Everyone is a deserving nominee here

I do actually find this a pretty strong lineup, so I'd be happy with anyone winning. It's still a shame that Aaron Sorkin was snubbed for Steve Jobs, but The Big Short is likely taking this (also as a consolation) 

Best Animated Picture
Inside Out
Anomalisa
Shaun the Sheep Movie
When Marnie Was There
Boy And the World

Will Win: Inside Out
Could Win: Anomalisa
Should Win: Inside Out

Honestly, I've only seen Inside Out, but it's such a sweet picture and Pixar's best in years. 

Best Original Score
The Hateful Eight- Ennio Morricone
Star Wars: The Force Awakens- John Williams
Carol- Carter Burwell
Bridge of Spies- Thomas Newman
Sicario- Jóhann Jóhannsson

Will Win: Ennio Morricone (The Hateful Eight)
Could Win: Anyone
Should Win: Carter Burwell (Carol) 

Sadly I haven't actually gotten around to listening to any of these scores, outside of watching the movies, so I don't have a strong opinion this year. But I think this may be Morricone's year. However, I'd watch out specifically for Thomas Newman (who has 13 nominations and 0 wins)

Best Original Song
The Hunting Ground- "Til It Happens To You"
Fifty Shades of Grey- "Earned It"
Youth- "Simple Song 3"
Spectre- "Writings On the Wall"
Racing Extinction- "Manta Ray"

Will Win: The Hunting Ground
Could Win: Spectre
Should Win:  I don't actually care

I never care about this category, except the year Skyfall was nominated. But Lady Gaga has probably got this.

Best Film Editing
Mad Max: Fury Road
Spotlight
Star Wars: The Force Awakens
The Revenant
The Big Short

Will Win: Mad Max: Fury Road
Could Win: The Big Short
Should Win: Mad Max: Fury Road

Mad Max had some incredible editing, so I'll be incredibly thrilled to see it win here. However, should the Big Short win this, it'll probably also take Best Picture. 

Best Cinematography
The Revenant
Mad Max: Fury Road
Carol
Sicario
The Hateful Eight

Will Win: The Revenant
Could Win: Sicario
Should Win: The Revenant or Sicario

Emmanuel Lubezki is probably going to get his back-to-back-to-back of Oscar Wins. However, Roger Deakins (Sicario) is extremely overdue, but Lubezki probably has it in the bag. 

Best Costume Design
Cinderella
The Revenant 
Carol
The Danish Girl
Mad Max: Fury Road

Will Win: Mad Max: Fury Road
Could Win: Anybody
Should Win: Mad Max: Fury Road

I love the costumes for Mad Max. They're so inventive and it's the only movie where the costumes are based off their own universe, and not a specific time period. The more wins for Mad Max the better!

Best Makeup and Hairstyling
Mad Max: Fury Road
The Revenant
The 100-year-old Man Who Climbed Out the Window and Disappeared

Will Win: Mad Max: Fury Road
Could Win: The Revenant
Should Win:  Mad Max: Fury Road

The war boys alone. Also, Furiosa and that awesome oil on the face look. 


Best Production Design
Mad Max: Fury Road
The Martian
The Revenant 
Bridge of Spies
The Danish Girl

Will Win: Mad Max: Fur Road
Could Win: The Revenant
Should Win: Mad Max: Fury Road

Again, Mad Max created it's own universe, and it's absolutely kooky and zany and amazing. This is an award it should have no problem winning. 

Best Visual Effects
Star Wars: The Force Awakens
Mad Max: Fury Road
The Martian
The Revenant
Ex Machina

Will Win: Star Wars: the Force Awakens
Could Win: Mad Max: Fury Road/The Revenant
Should Win: Mad Max: Fury Road

I'm probably one of the last people to have still not seen Star Wars yet, but it's true. So I can't comment on whether it deserves this win (it probably does), but I love the effects used in Mad Max. However, I don't think Star Wars will be walking away empty handed, and it has so much more "obvious" effects than MM or the Revenant 

Best Sound Mixing
Mad Max: Fury Road
The Martian
Star Wars: The Force Awakens
The Revenant
Bridge of Spies 

Will Win: The Revenant 
Could Win: Mad Max: Fury Road
Should Win: ?

I know the different between mixing and editing, but I don't notice it much at all in movies yet. So I know The Revenant has won several sound awards, so I'm going for this. 

Best Sound Editing
Mad Max: Fury Road
Sicario
The Martian
The Revenant
Star Wars: The Force Awakens

Will Win: The Revenant
Could Win: Mad Max: Fury Road 
Should Win: ?

Honestly, I really want to predict Mad Max to win these sound categories, but the precusor awards have pretty much all been awarded to The Revenant. I may make a last minute switch to Mad Max in this category as this Guild award is only being handed out 24 hours before the Oscars. But I'm sticking with
the Revenant for now. 

Best Documentary Feature
Amy
The Look of Silence
Cartel Land
What Happened Miss Simone 
Winter On Fire 

Will Win: Amy
Could Win: Cartel Land

Best Foreign Language Film 
Son of Saul
Mustang
Embrace of the Serpent 
Theeb
A War

Will Win: Son of Saul
Could Win: Mustang

Tuesday, 23 February 2016

February Blindspot: To Kill a Mockingbird

To Kill a Mockingbird, 1962
Directed by Robert Mulligan
Nominated for 8 Oscars (including Best Picture)
Won 3 Oscars, including Best Actor 

Told mostly from the viewpoint of young Scout, To Kill a Mockingbird is about a small Southern USA town that comes to face a controversial trial over a black man accused of rape. Scout’s father is the town’s prominent lawyer, Atticus Finch, and Atticus is defending the young black man against these rape charges, and trying to protect his children from the prejudices of the people around them.

To Kill a Mockingbird is a book I was supposed to read in 10th grade English class. Key word being “supposed to”. To Kill a Mockingbird was a book I skimmed at best, and decided to talk with friends and nap when we watched the movie in class. However, this is a film I’ve come to see is a classic, and is the film that won Gregory Peck his (only!?) Oscar. And anything that wins Gregory Peck an Oscar is definitely worth watching, to me.

My thing with To Kill a Mockingbird (and these are all problems from the book, I imagine), is that it hasn’t aged particularly well. Much of the story and the points it was making were just so very on the nose. So much of the various evidence in the courts is so convenient, and never for a second are we left to wonder whether Tom Robinson, the black man accused of rape, whether really did it or not. To me, the moral of the story was just knocking me over the head with what it was trying to say, when it really could’ve been a lot more delicate. Maybe it’s just a product of it’s time, I don’t know. That doesn’t mean the movie isn’t affective at times. The story is definitely interesting, as most racism stories like this usually are. I just personally like a little more subtlety.

Personally, I found Scout to be incredibly annoying. I didn’t hate her, I just found her irritating because child actors in the 60s all kind of acted the same, and were never very natural actors. While I do give the young actress who played Scout a little more leeway (she was much better than the other two child actors), I still found her kind of awkward to watch. However, Gregory Peck I could watch for days. How cool is that man? I need to make a note to myself to watch more of his movies, because I just really, really like him. While this part wasn’t particularly showy for Peck, it’s nice to know he has an Oscar (this was his last nomination he ever received).

In the end, while I don’t think the story has aged well (this I blame on the book), the movie itself is well-structured and well-shot. The use of black and white is, again, a little heavy-handed, was still a nice touch to the tone of the movie. Peck is fantastic and child stars from the past are always so hard to watch (for the most part). However, to Kill a Mockingbird is worthy of its classic status, and is a movie I’m definitely glad I was able to see!


7/10 

Friday, 19 February 2016

The Stanford Prison Experiment

The Stanford Prison Experiment, 2015
Directed by Kyle Patrick Alvarez

A group of researchers at Stanford University are conducting a study that looks at how the personalities of prisoners and guards can affect each other and can cause abusive behavior within the prison system. The group puts out an ad looking for male students, paying them $15 a day. They recruit 24 students, flipping a coin to determine whether they are prisoner or guard, and then they make a mock prison in the basement of Stanford University. The study was to last 2 weeks, and would be observed through cameras, everything running as a normal prison. However, the results start to spiral out of control as things don’t go exactly as expected.

The Stanford Prison Experiment was a real experiment conducted in the 1970s. It was controversial and led to terrifying results. THe movie simply starts with the student interviews, and launches quickly into the “prison life”, having the prisoners be “arrested” and sent to the prison in Stanford University. This is an incredibly fascinating film about an experiment gone wrong, and just how much it affected, not only the subjects, but the researchers themselves.

The film is filled with fantastic performances. Ezra Miller and Tye Sheridan are two of the most interesting young actors working today. Both have such interesting filmographies, and are so talented. Miller, in particular, is just so pitch perfect for this role as a tormented prisoner. Miller just always throws himself into his roles, and this is no exception. Nothing is held back here. The true star of this film, however, is Michael Angarano. Angarano takes on the role of Christopher, one of the prison guards, who decides to embody a John Wayne/Cool Hand Luke persona, and dons the thick southern accent and harsh manner. Angarano is absolutely terrifying and really shines in this role. The small moments where we see him flip back into his regular character is so shocking after seeing him as “John Wayne”.


This movie is masterfully done and well-acted. The story is so incredibly captivating, that it’s so hard to look away. It’s filled with so much to think about, and really digest. It’s definitely not an easy film to watch, as it asks so much of its audience. But it’s definitely a rewarding watch, as this is just so well-made and well-told.